深受一切事物的多義性吸引，或許我們都活在間隔之中、音程之間，中場休息永不結束。
Deeply drawn to the ambiguity of all things, perhaps we all live within the intervals,
between the notes, where the intermission never ends.
裝置，相片、黑布、白線與紅線，尺寸依場地而訂，2023
此裝置作品由一連串的破壞和縫補組成：將長達三年的回憶打亂，反覆組織出不同的版本；在相片的兩側打上等距的洞，以來回穿梭的白線固定於黑布之上；把黑布中央剪開一條縫隙，再以紅線縫合成一道傷疤。
打洞和縫合的不停重複、剪破布料的不可重來，宣言般的手勢將一切定位，把沉迷於曖昧性的藝術家從一個過渡的狹縫中解放出來。
Installation, photos, black fabric, white and red thread, Dimensions variable, 2023
This installation consists of a series of destruction and mending: three years of memories are fragmented and repeatedly reorganized into different versions. Evenly spaced holes are punched on both sides of the photographs, securing them onto black fabric with interwoven white thread. A slit is cut through the center of the black fabric, then stitched back together with red thread, forming a scar.
The relentless repetition of piercing and stitching, the irreversibility of cutting the fabric—these declarative gestures serve as a means of positioning, freeing the artist, captivated by ambiguity, from an interval.
展示於《滿室喧嘩》，111-2 台大攝影社期末展，活大地下室文藝展示廳 ＠ 臺北，臺灣
Exhibited in Noise Fills the Room, NTU Photo, National Taiwan University, Spring 2023 @ Taipei, Taiwan
製作過程 Production process
